P006 → Immortal Flowers, 2022, Wanlin






In the ruins of an abandoned factory
slowly reclaimed by nature,

Immortal Flowers grows from a moss-covered platform.

Plastic flowers coexist with living moss and debris,
forming a quiet dialogue
between the artificial and the organic.

These flowers do not wither—
they stand as symbols of memory,
time,
and suspended life.

The work listens to the silence of the site,
offering both mourning
and regeneration.

Here, plants are not only witnesses
but also storytellers,
revealing how forgotten spaces
can begin to breathe again.


Medium: Installation
Materials: Plastic flowers, moss, soil, glass, ceramics
Location: Abandoned porcelain factory, Jingdezhen, China
在一座被自然缓慢吞噬的废弃工厂中,
植物悄然从苔藓覆盖的平台上生长而出。

「永生花」 在这里绽放。

塑料花与真实的苔藓和碎片共处,
构成了一场
人造与自然之间的静默对话。

这些花不会凋谢——
它们象征着记忆、
时间,
以及被悬置的生命。

这件作品倾听着场域的沉默,
在哀悼与再生之间,
寻找回应。

在这里,植物不仅是见证者,
也是讲述者,
讲述那些被遗忘的空间
如何再次开始呼吸。


媒介: 装置艺术
材料: 塑料花、苔藓、泥土、玻璃、陶瓷
地点: 中国景德镇陶瓷厂废弃厂房




On-site at the exhibitionImmortal Flowers,  Abandoned porcelain factory, Jingdezhen, PRC (2022)Materials: Plastic flowers, moss, soil, glass, ceramics



Listening to the Process




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